Notes from the Astrology 101 retreat · Sriperumbudur · March 2026.
Every object contains all five elements. It may appear dominated by one, based on our state of mind. We can vibe with any. So: be aware, alive, and watch the space inside.
The five elements · core framework
Classification is subjective
We classify things by usage, purpose, feelings, thoughts, experiences — by how something looks, what it means to us, the outcome, where it comes from, what's used alongside it. There is no consensus. It evokes something in us.
The element that emerges in a moment is the moment. Acceptance of different perspectives. The five elements aren't five categories with hard borders — they're five ways something can land.
Element · quality · sense
Element
Quality
Sense
Ether
Space · all-encompassing
Sound · hearing · ears
Air
Thoughts · thinking
Touch · skin
Fire
Desire · urges · passion
Sight · vision · eyes
Water
Emotions
Taste · tongue
Earth
Forms · structure
Smell · nose
Ether · ākāśa
The space of emergence
Ether is emptiness, nothingness, pauses, vision of space. It accommodates everything. It is letting go, all-encompassing presence, consciousness, the universal mother, the collective. It is the integration of form and formless.
Practice · how to experience Ether
Approached by negation
Any question we ask brings us back to the other elements. Ether is accessed through Neti Neti — not this, not this. By dissolution, by withdrawal.
When we are equanimous — letting go of identity.
Deep introspection.
Being aware.
Dissolution of identity.
Silence — can we experience stillness across all senses?
Pratyahara (withdrawal of senses): withdrawing all senses inward. What can we do to experience pratyahara? Perhaps — do nothing.
Nirvana Shatakam exercise: for ~20 minutes, negate everything you see — "this is not a tree, this is not a leaf". Then move to the body — "the leg is not a leg, the stomach is not a stomach" — from toe to head. Then recite Nirvana Shatakam, which negates every identity we hold.
Activating Ether as a coach or listener
Creating space and breathing.
Maintaining sākṣī bhāva — witness awareness.
Quieting our own senses; not interrupting.
Being aware of own biases.
Synchronizing breathing, creating sacred space.
Invoking the higher; building trust.
The text · Ādi Śaṅkarācārya
Nirvāṇa Shatakam
Six verses, each a deeper negation. The refrain at the end of every verse: I am pure consciousness and bliss. I am Shiva.
Six verses · Neti Neti
मनोबुद्ध्यहङ्कारचित्तानि नाहं न च श्रोत्रजिह्वे न च घ्राणनेत्रे । न च व्योम भूमिर्न तेजो न वायुः चिदानन्दरूपः शिवोऽहम् शिवोऽहम् ॥manobuddhyahaṅkāracittāni nāhaṁ na ca śrotrajihve na ca ghrāṇanetre | na ca vyoma bhūmir na tejo na vāyuḥ cidānandarūpaḥ śivo'ham śivo'ham ||I am not the mind, intellect, ego or memory.
I am not ears, tongue, nose or eyes.
I am not space, earth, fire or air. I am pure consciousness and bliss. I am Shiva.
न च प्राणसंज्ञो न वै पञ्चवायुः न वा सप्तधातुः न वा पञ्चकोशः । न वाक्पाणिपादौ न चोपस्थपायू चिदानन्दरूपः शिवोऽहम् शिवोऽहम् ॥na ca prāṇasaṁjño na vai pañcavāyuḥ na vā saptadhātuḥ na vā pañcakośaḥ | na vākpāṇipādau na copasthapāyū cidānandarūpaḥ śivo'ham śivo'ham ||I am not the life-force, not the five vital airs.
I am not the seven body elements, nor the five sheaths.
I am not speech, hands, feet, nor the organs of generation and elimination. I am pure consciousness and bliss. I am Shiva.
न मे द्वेषरागौ न मे लोभमोहौ मदो नैव मे नैव मात्सर्यभावः । न धर्मो न चार्थो न कामो न मोक्षः चिदानन्दरूपः शिवोऽहम् शिवोऽहम् ॥na me dveṣarāgau na me lobhamohau mado naiva me naiva mātsaryabhāvaḥ | na dharmo na cārtho na kāmo na mokṣaḥ cidānandarūpaḥ śivo'ham śivo'ham ||I have no hatred or attachment, no greed or delusion.
I have no pride and no jealousy.
I am not bound by duty, wealth, desire or liberation. I am pure consciousness and bliss. I am Shiva.
न पुण्यं न पापं न सौख्यं न दुःखं न मन्त्रो न तीर्थं न वेदा न यज्ञाः । अहं भोजनं नैव भोज्यं न भोक्ता चिदानन्दरूपः शिवोऽहम् शिवोऽहम् ॥na puṇyaṁ na pāpaṁ na saukhyaṁ na duḥkhaṁ na mantro na tīrthaṁ na vedā na yajñāḥ | ahaṁ bhojanaṁ naiva bhojyaṁ na bhoktā cidānandarūpaḥ śivo'ham śivo'ham ||I am not merit or sin, not pleasure or pain.
I am not mantra, pilgrimage, scripture or ritual.
I am neither the act of eating, nor what is eaten, nor the eater. I am pure consciousness and bliss. I am Shiva.
न मृत्युर्न शङ्का न मे जातिभेदः पिता नैव मे नैव माता न जन्म । न बन्धुर्न मित्रं गुरुर्नैव शिष्यः चिदानन्दरूपः शिवोऽहम् शिवोऽहम् ॥na mṛtyurna śaṅkā na me jātibhedaḥ pitā naiva me naiva mātā na janma | na bandhurna mitraṁ gururnaiva śiṣyaḥ cidānandarūpaḥ śivo'ham śivo'ham ||I have no fear of death, no distinction of caste or birth.
I have no father, no mother, no birth.
I have no relative, no friend, no teacher, no student. I am pure consciousness and bliss. I am Shiva.
अहं निर्विकल्पो निराकाररूपो विभुर्व्याप्य सर्वत्र सर्वेन्द्रियाणाम् । सदा मे समत्वं न मुक्तिर्न बन्धः चिदानन्दरूपः शिवोऽहम् शिवोऽहम् ॥ahaṁ nirvikalpo nirākārarūpo vibhurvyāpya sarvatra sarvendriyāṇām | sadā me samatvaṁ na muktirna bandhaḥ cidānandarūpaḥ śivo'ham śivo'ham ||I am without thought constructs. I am formless in nature.
I am all-pervading, present everywhere, underlying all the senses.
I am neither attached, nor liberated, nor an object to be known. I am pure consciousness and bliss. I am Shiva.
A pilgrimage · the temple of consciousness
The story of Chidambaram
Chit + Ambaram — pure consciousness + sky. "The sky of consciousness."
Chidambaram is one of the most philosophically profound temples in India. The town is also called Tillai, after the mangrove trees that once covered the region. The presiding deity is Naṭarāja — Shiva in his form as the Lord of Dance. This is the only major temple in India where Shiva is worshipped primarily in his Nataraja form rather than as a lingam.
Naṭarāja — the cosmic dancer
The Nataraja sculpture is one of the most iconic images in all of Indian art and philosophy:
The damaru in his upper right hand — the sound of creation, the primordial vibration from which the universe emerges.
The flame in his upper left hand — destruction, the dissolution at the end of each cosmic cycle.
The abhaya mudrā ("fear not") in his lower right hand — protection and grace.
The foot pointing downward — points to liberation; the path available to all.
The ring of fire (prabhāmaṇḍala) — the endless cycle of creation and destruction; saṃsāra.
The dwarf demon crushed underfoot — Apasmāra. The most philosophically important element.
Apasmāra — the demon of forgetfulness
Apasmāra literally means "one who has forgotten" — specifically, one who has forgotten their true nature. He represents ego, ignorance, heedlessness.
The legend: Apasmāra was a demon who could never be killed — because to kill him, someone would have to remember perfect consciousness at all times, which almost no being could do. If he were killed, ignorance would be destroyed forever, and the cosmic drama of creation would collapse — the universe requires a degree of forgetting to sustain itself.
So Shiva does not kill Apasmāra. He simply stands on him. Consciousness does not destroy ignorance; it merely keeps it in its rightful place, suppressed beneath the weight of pure awareness. The perpetual act — Naṭarāja eternally dances, eternally holding the ego down.
The teaching: ego cannot understand consciousness. Knowledge alone is not enough — what is needed is the space in which consciousness can arise.
Patañjali and Vyāghrapāda — the two sages
The temple's legend holds that two great sages came to witness Shiva's cosmic dance:
Patañjali — the compiler of the Yoga Sūtras, traditionally depicted as half-human, half-serpent (nāga). He came to understand the secrets of chitta — the mind-field — and its purification.
Vyāghrapāda — whose name means "one with tiger's feet." Legend has it he prayed for the feet of a tiger so he could climb thorny trees at dawn to gather flowers for Shiva's worship without injuring himself.
These two sages are said to be enshrined in the temple as its eternal devotees. The Chitsabhā — the Hall of Consciousness — is said to be the space where Shiva danced specifically for them.
The Chidambara Rahasyam — the great secret
In most Hindu temples, the garbhagṛha — the womb-chamber, the inner sanctum — houses a physical image of the divine.
But at Chidambaram, behind a golden curtain in the innermost sanctum, there is nothing.
An empty space, adorned only with a garland of golden vilva leaves hanging in the air. When the curtain is drawn aside during rituals, priests and devotees behold... the void. Space. Ether. Ākāśa.
The teaching is breathtaking: the highest form of God is formlessness itself. The ultimate reality has no shape, no face, no attributes. It is the space in which everything arises and into which everything dissolves.
The golden vilva leaves hanging in the void represent the idea that even this emptiness is adorned — that nothingness is not mere absence, but a presence so total that it encompasses everything.
The Dīkṣitars — temple priests
The temple is managed by a hereditary community of priests called the Dīkṣitars — believed to number around 3,000 families. They are unique in several ways:
They claim descent from the original sages who witnessed Naṭarāja's dance.
They wear their hair tied in a topknot at the front of the head rather than the back — a tradition said to date back to antiquity.
They manage the temple collectively, with no single head priest — an extraordinarily democratic structure that has held for centuries.
Their authority over the temple has been a subject of legal and political contestation in modern India, with courts having to navigate the boundary between religious tradition and state oversight.
The cosmic significance
In Tamil Shaivite philosophy (Śaiva Siddhānta), Chidambaram is considered the centre of the universe — not geographically, but consciously. The centre of everything is not a place but a state of awareness: the still point within the dance of creation.
Shiva's dance — the Ānanda Tāṇḍava, the dance of bliss — represents five cosmic acts:
Sṛṣṭi — Creation
Sthiti — Preservation
Saṃhāra — Destruction
Tirobhāva — Concealment of truth, through māyā
Anugraha — Grace · the lifting of the veil
The entire universe, in this view, is Shiva's dance. And the dancer's eye — the still, witnessing centre — is Ether. Consciousness. Chidambaram.
The five element temples · pañca bhūta sthala
One element, each temple
Chidambaram is part of a network of five Shaivite temples in South India, each representing one of the five great elements:
Temple
Location
Element
Form of Shiva
Chidambaram
Tamil Nadu
Ether (Ākāśa)
Naṭarāja · the dance
Tiruvannamalai
Tamil Nadu
Fire (Agni)
Aruṇāchala · the hill itself is Shiva
Srikalahasti
Andhra Pradesh
Air (Vāyu)
Kālahastīśvara
Thiruvanaikaval
Tamil Nadu
Water (Jala)
Jambukeśvara
Kanchipuram
Tamil Nadu
Earth (Pṛthvī)
Ekāmbareśvara
That ether — the most subtle and all-pervading element — is represented by emptiness at Chidambaram is entirely consistent with the philosophy. Space cannot be depicted; it can only be pointed to.
The notes from the retreat touched something genuinely deep — that moment of drawing back the curtain and finding nothing is perhaps the most powerful teaching Chidambaram offers: the highest truth is not something you can fill a space with, but the space itself.
Can we take a moment to recognise the space in and around everything?